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Matt's "Experimental"
Gig Rig - July 2004
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Here was my "Gig Rig" circa July 2004
This Gig Rig was my "Experimental Rig". It was designed
for more adventurous playing and experimenting with the inclusion
of the very cool Electrix Repeater 4 track looper. This rig features
three completely different types of synthesis- the REAL
ANALOG Akai EWV2000, the physical modeling Yamaha TURBO
VL70-m, and the sample-based Roland XV-5050. All of these
modules are of course loaded with the Patchman Music wind controller
banks for them. If you wish, you can use the very same sounds
I am using. Complete details and mp3 demos of these soundbanks
are available at the Patchman
Music website. Please note that the patches loaded in your
synths are really 50% of the rig. It is critical that you choose
synths that are capable of responding properly and quickly to
the MIDI data that a wind controller transmits. Even if you get
this exact same rig, you won't sound nearly as good until you
load the synths with the proper wind controller sounds.
In addition to these three synths which are all chained together
via MIDI, I have a Boss SE-70 in the rig for effects (especially
for the EWV2000 which contains no internal effects). The SE-70
is a great device. Aside from great sounding reverbs, delays,
etc..., it has several effects that are not commonly found on
other effects processors. It has 2 vocoders, a guitar synth,
bass synth, (these synths can track any mono acoustic instrument
complete with a dynamic enveloped filter and amp envelope!),
a tuner, a 60 cycle hum remover, a vocal remover, TRUE stereo
reverbs (stereo in and out), great sounding distortions and pitch
shifters, a 20(!) tap delay, 16 stage chorus, 40 stage phaser,
a sampler, and on and on. It can chain a large amount of effects
for massive processing. It can respond to MIDI controllers and
up to 3 pedals. It's a pretty cool device. It is capable of doing
all sorts of things to your sounds. The guitar and bass synths
algorithms can be used with an acoustic source as pitch-tracking
synthesizers! That's right, this thing will track monophonic
audio signal and synthesize it (internally only- it doesn't do
pitch-to-MIDI conversion). It sounds great! The SE-70 is in the
effects loop of the TOA D3 Mixer (shown at the bottom of the
rack).
In the top part of the rack above the Akai EWV2000 is an Electrix
Repeater loaded with a 512meg Compact Flash Card. This is an
amazing device that lets you record and loop up to 4 tracks and
overdub and bounce them to your heart's content. It's an insane
piece of gear. The loops are stored permanently in the CFC card.
This also means you can load your favorite drum loops and play
to them at the gig. The Repeater also allows to you pitch shift
and change tempo completely independently of each other! Yes,
you can change the pitch of the loop without changing the speed.
Yes you can change the tempo of the loop without changing the
pitch! The stereo output of the TOA mixer goes into the Repeater
then the stereo output of the Repeater goes to the PA. The SUM
(mono) output from the TOA goes to my Yamaha MS-60 monitor.
I am usually triggering all the modules simultaneously either
on the same note, or I transpose one or two of them an octave.
Since the EWV2000 has rather sophisticated
chord capabilities via its MIDI OUT, (each note of the chromatic
scale can be a different chord value) and the XV-5050 is polyphonic,
I am exploring using chords with this system.
The TOA
D-3 mixer is great for my situation. It is the only single
space line mixer I could find anywhere that had the exact features
I needed for my particular my wind controller rig. It has a main
stereo out with separate volume knobs for Left and Right for
that. Then, most conveniently, it has a separate MONO SUM OUTPUT
which is used for my powered monitor. There is a separate volume
knob for the SUM OUT. Then it has a 1/4" stereo headphone
jack on the front also with a separate volume knob for it. It
has 4 STEREO inputs (2 inputs on each) each with volume, pan,
high and low eq, and effects send. Input number 4 also accepts
a phantom powered mic complete with 48v switchable phantom power
and XLR jack! I can use the Mic input for my vocal mic. It has
an AC cord (no wall wart!), and also stereo effects returns and
stereo tape returns (again both with knobs), LED clip indicators
on each input plus overall clip LED. These are really excellent
mixers and they seem to be designed exactly for this type of
application. Unfortunately, they have been out of production
for a long time. If you need one, I try to maintain a stock of
these mixers on my used gear page at:
https://www.patchmanmusic.com/UsedGear.html
I have found that layering the XV-5050,
a single TURBO
VL70-m, and the super-fast real-analog Akai
EWV2000 is an absolutely awesome wind controller experience.
The three types of synthesis combined really compensate for the
other's weaknesses. The EWV adds a bit of sizzle to the brass
section sounds even though it isn't the most realistic emulation.
Also the EWV adds those few milliseconds of attack sound while
the MIDI modules are computing their data so having the EWV in
there makes the system FEEL faster.
This rig is capable of pretty much anything. It allows me
to really sound like a horn section, any solo instrument, or
any type of freaky lead sound that you could imagine!
The dangling wire on the right are to my Etymotic ER6 In Ear
Monitors which I use for silent testing/patch programming or
monitoring at the gig if we get too loud. The large monitor on
the left is the Yamaha MS-60 powered monitor. The stand is an
old keyboard/mixer stand made by Unison (I doubt they are in
business anymore).
Below are two pictures of this "Experimental Gig Rig"
July, 2004...
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