The
Nyle Steiner
Homepage

The official Nyle Steiner Homepage is brought to you and maintained by PATCHMAN MUSIC. Please forward any problems, comments, or contributions to this site to matt@patchmanmusic.com. We have created this site in cooperation with wind controller pioneer Nyle Steiner to keep you up to date on the activites of inventor of the EVI and EWI wind controllers. The Nyle Steiner Homepage is the place to go for the latest information on Nyle's newest projects as well as personal notes from Nyle Steiner himself.

For those unfamiliar with Nyle Steiner here is a short bio. Nyle originally conceived of the concept of a brass-style electronic synthesizer in the 1960's. He began prototyping the concept in the early 70's and in 1975 Nyle completed his first playable electric valve instrument- the 'Steiner Horn'. A woodwind version was developed soon after. "I developed my own transducer using whatever- I tried a lot of things out. A lot of the main parts I had to build myself. The first one was just a switch. You blew and it turned on and off - just like pressing a key. Later I built a proportional transducer." His instruments (the EVI and EWI) were well accepted by several top musicians including Michael Brecker. They were each hand made by Nyle Steiner himself.

In the mid 1970's, Nyle set up a small Salt Lake City Utah based synthesizer company named Steiner-Parker. The company produced various analog synths as well as the original Steiner EVI from approximately 1975 to 1980. In 1980, Nyle won the Linz prize for his EVI. In designing the original EVI, Nyle comments "I found it was best to design my own synthesizer. With MIDI and some of the more advanced designs, there are some synthesizers that work pretty well with it without having to modify them, but it used to be that I had to modify the synthesizers so much that I just gave up and designed my own."

The Steiner company hooked up with Crumar at the end of the '70s and Crumar marketed the EVI for a while. Around this time, Nyle's career was beginning to take some new turns. In 1979 he worked on the movie Apocalypse Now while commuting from Salt Lake City. He demonstrate the EVI for the producers and they really liked the sound. Nyle soon after moved to California and began to make a career for himself playing in the studios. "Most of the film composers use EVI in one way or another - it's really good as an expressive melody instrument; the vibrato flexibility, the bending - it's really easy to play that way."

Nyle is also an experienced 'legit' trumpet player having worked with the Utah Symphony in the 1960's. He doesn't play much acoustic trumpet these days. Instead, he devotes much of his time to developing the current model MIDI EVI and performing on recordings and soundtrack sessions with some of the top names in the business. He has performed with artists such as Barbra Streisand and Neil Diamond and has played on TV themes such as Knott's Landing and St. Elsewhere. Nyle has also played EVI on numerous large budget movie soundtracks. See the "RECORDINGS" section below for a brief list of Nyle's recorded work.

If you would like to contact Nyle Steiner, he can be reached via email at steinerevi@earthlink.net.

If you have an EVI or Steiner synth you would like to sell or have repaired contact Matt at Patchman Music.

March 2008 - Nyle Steiner Releases New CD !

I am very happy to report that EVI / EWI inventor Nyle Steiner has a new CD out entitled "Flash - A Music Potpourri"! It is available only at CDbaby.com and it features Nyle playing EVI with his custom rig (chord pedals and all), an amazing vocalist named Beth Lawrence, and keyboardist Norman Thalheimer. It's an incredible piece of work. Nyle's playing is simply stunning and it is sure to be an inspiration to all wind controller players. This is a must-have wind controller CD. You can listen to mp3 preview clips of all the tracks and order it here:

http://cdbaby.com/cd/steinerlawrence

Go there and buy it and support Nyle's efforts so that we might have more from him in the future.

Three of the pieces have been on this webpage for quite some time (see the Clips section below), but these final versions have been re-masterd with some additional tracks and are of course at full fidelity compared to compressed web format.

March 2006 - Akai Releases EWI4000s based on Nyle Steiner's Latest EWI Prototypes

In early 2004, Nyle Steiner traveled to Japan and delivered a new EWI prototype to the Akai Japan engineers. Nyle consulted with Akai on this project. This resulted in what became the new Akai EWI4000s which was based on his prototype. Click here for info and some unique photos of the prototypes.

6/30/04 - EVI Is the subject of "Vintage Gear" column in Keyboard Magazine!

Be sure to check out the July 2004 issue of Keyboard Magazine. Mark Vail's wonderful "Vintage Gear" column on page 100 is all about Nyle Steiner's EVI!

5/24/02 - Nyle Improves EWI3000m

The stock model Akai EWI3000 apparently does not have the slight delay programmed to "de-glitch" the fingering algorithm as found in the other EWI modules. The lack of this "de-glitching delay" allows slightly faster fingering response but can also mean a LOT more unwanted notes (glitches) as the fingers change notes- especially when changing several fingers at once. If you are noticing a lot of glitches using your EWI3000m, contact Matt at Patchman Music for a mod to fix this.

11/7/01 - Nyle Designs a Replacement Breath Block for the Akai EVI1000

Since factory replacement breath sensors are no longer available from Akai for the Akai EVI1000, Nyle Steiner has developed a replacement. Nyle states, "I am finally figuring out what to do about replacement breath blocks for the EVI1000. It is now possible to totally replace the mouthpiece, breath sensor and bite sensor with ones that I can make. I have had trouble with it because the adjustment pot parameters with breath and portamento on the EWV2000 module are too narrow to work with my normal breath sensor and bite sensor. I have finally figured out how to make a bite sensor that works in the EVI1000 with EWV2000 module. Instead of replacing the breath block, an aluminum strip can be screwed on the body to hold the new mouthpieces that I make, and it leaves the back end open so the breath sensor can fit in. It works really well but I still need to figure how to cover it. I am thinking of some sort of foam rubber covering or similar. This mod will require drilling a couple of holes and some soldering. Doing the above will lengthen the EVI by about an inch. I tried to keep it the original length for carrying case considerations but getting things to work electrically was enough of a challenge that length of the instrument concerns had to be abandoned. I am going to Barcelona, Spain and Montpellier, France from Nov 6 thru Nov 27 to perform Maurice Jarre's EVI concerto."

In association with Nyle, Matt Traum at Patchman Music is now able to perform the mod and can do it without changing the external appearance of the EVI1000. Matt is also able to build custom breath blocks for the EVI1000 and install them. Click here for details.

The Nyle Steiner MIDI EVI Is Here

In 1998, Nyle Steiner completed and made available the world's first MIDI EVI! The MIDI EVI is a totally self-contained, trumpet-style MIDI controller which outputs MIDI directly from the controller thus eliminating the need for an additional interface box. This also means it is now possible to enjoy the wonderful world of wireless MIDI! Click here to get the full report on the new Nyle Steiner MIDI EVI.

Nyle Steiner EWI to EVI Conversion

For a time in the late 1990s Nyle Steiner was offering a service of converting several models of EWIs to an EVI. The converted EVIs can be plugged directly into an Akai EWI sound module. With the release of the MIDI EVI, he generally doesn't do this anymore. But for your interest, here are the original details.

Nyle Performs w/Melissa Manchester

In January 1998, we attended a radio play called "I Sent A Letter To My Love" starring Melissa Manchester featuring Nyle Steiner on EVI. Click here to read all about it and view some rare photos of Nyle Steiner's EVI rig.

Nyle At 1998 Winter NAMM show

We met up with Nyle at the EMU booth at the 1998 Winter NAMM show in Los Angeles California. He was playing a prototype of his new MIDI EVI connected to an EMU EIV sampler and was doing some amazing things! Click here to read all about it.

Nyle Records w/Jarre & BBC Orchestra

In October 1996, Nyle was in London for a recording session with Maurice Jarre and the BBC orchestra where they recorded "Concerto for E.V.I." composed by Maurice Jarre! The 19 minute 51 second concerto was recorded originally for a radio broadcast and later released on CD in 1997 on Milan Records. Nyle said the piece was the most demanding thing he has been faced with musically and technically. Nyle mentioned that he covered 95% of all of the sonic requirments of the entire piece with a Roland JV-1080! He used a sampler to cover one unique vocal sound not possible on the JV-1080. Nyle also has a BOSS Dr.Synth (basically, a repackaged version of the Sound Canvas) that can be used as a back-up for the JV-1080.

The Milan Records website writes: "World-renowned film and theater composer Maurice Jarre conducted The BBC Orchestra in a live performance at the Royal Festival Hall on October 18, 1996. The performance was recorded and was released in 1997 as "Maurice Jarre at the Royal Festival Hall" on Milan Records. The performance includes some of Jarre's most popular works as well as the world premiere of "Concerto for Electronic Valve Instrument," an original piece for the instrument invented by Nyle Steiner who performs as the soloist.

Here is some info on the disc...

• Click here for a track listing.
• Click here for details (translated from German) on the recording "Maurice Jarre at the Royal Festival Hall".

Apparently this CD is already out of print. I found a copy on Ebay. If these links don't find a copy, keep trying. They pop up from time to time.

• Search for this CD on half.com.
• Search for this CD on Ebay.
• Or maybe try here.

Nyle Performs At 1997 Winter NAMM Show

On January 17, 1997, Nyle Steiner perfomed with the Yamaha Virtual Big Band at the 1997 Winter NAMM show. Since he has been affiliated for so many years with Akai, Nyle likens this historic meeting between himself and Yamaha to the Soviets and the U.S. sharing a space station! Sadly, there has been no indication of a collaboration on future hardware development as of this writing. Click here to check out our full report of the performance including some great photos.

Nyle Steiner on Velocity and the EWI3020m

Nyle confirms that velocity is not properly handled in the EWI3020m. The problem has to do with when you slur notes. As it is in the old OS, if you slur and change breath pressure, the new notes use the velocity of the first tongued note. The velocity doesn't change in response to breath pressure as it is supposed to- and as it does- with the EWI3030m and EWV2000. With this bug, a note MUST be tongued to send a new velocity. He went on to say that the original EVI1000 and EWI1000 handle velocity the best of all the Akai controllers to date.
Akai has since released an updated operating system that fixes this! If this velocity bug bugs you, contact Patchman Music or Akai to get your EWI3020m module updated. As an added bonus, this new OS allows you to send MIDI Expression controller data (CC#11) from the breath sensor.

A collection of photos of Nyle Steiner's wonderful inventions...

An amazing prototype EVI likely from the early 1970s. Note that the basic form of the instrument is exactly the same (i.e. the canister and left hand index finger key and thus the associated fingering system) as found on Nyle's later models. Though small additional improvements have been developed, Nyle's brilliant vision was quite clear and well thought out from the start.

Here's a classic photo of Nyle playing an old Steiner-Parker EVI. This picture looks to be from the mid 1970's. Note the silver finish on the EVI and the early model Steiner-Parker Sythacon and modular synth in the background.

Nyle Steiner's Masters Touch Photo A / Photo B was manufactured by Crumar in Italy in the early 1980s. It was a remarkably innovative and expressive piece of gear designed by EVI and EWI inventor Nyle Steiner. 25+ years later, there has not been a product like it since. The Steiner Masters Touch is an analog voltage controlled filter with voltage control signals coming from three different sources: breath, bite, and finger motion (the foam rubber pad on the unit labeled "TM"- Touch Modulation). You blow into the mouthpiece which is connected to the unit via two tubes. One tube is connected to the mouthpiece which in turn has an opening in half the tip. The other tube is connected to the mouthpiece but the tip is closed so air does not escape. The open end tube is connected to a breath pressure transducer. The closed end tube is connected to a similar transducer but since it is closed the sensor measures how hard you are biting the mouthpiece. The built-in Steiner two pole analog filter opens and closes relative to breath pressure. The filter can oscillate if the resonance is turned up and the unit is properly calibrated. The Breath Sensor signal is also output as a 0 to 10VDC voltage for controlling CV type synths. Also note that the Masters Touch can be used as a standalone device- without a CV synth connected- with any audio source fed into its audio input. The "bite" control outputs a smaller voltage as you bite and wiggle your jaw. With the Touch Modulation pad, you wiggle or rock your finger and it outputs just enough voltage for expressive vibrato control and bend effects. The Masters Touch also outputs trigger voltages from the breath input (both positive and negative going triggers), so you can trigger most CV type synth envelopes. It has separate CV outputs for breath, bite, and the TM sensor. It also has sensitivity adjustments and four LEDs show breath amount and trigger states. The Masters Touch was a very innovative piece of gear that still has not been duplicated.

Two photos of the original model Steiner-Parker EVI controller are here and here. This model was marketed around 1974-75 and it was the first production model EVI offered to the public. This EVI was a CV synth controller designed for trumpet and brass players- as opposed to keyboardists- with no synth built-in. The earliest models as shown here had a switch controlled by the player's breath which simply turned the gate CV on and off. Subsequent models incorporated Steiner's proportional breath transducer which allowed for smooth breath controlled transitions from full off to full on thus allowing for far more expressive control of a synthesizer. Early models as shown at right also had no vibrato sensor or bend sensors. These innovations would come later.

Here is a scan of the promo sheet for an early Steiner EVI and Case. Note the name "Parker" is no longer on the instrument. Partner Dick Parker was bought out around this time.

A slightly later model EVI is shown here. Note the addition of the portamento switch near the 3rd valve. This horn also has the vibrato sensor under the right hand thumb- one of the first models to have this.

Steiner EMU Modular EVI Interface to interface the Steiner EVI controller with modular type synths.

The Steiner Synthacon Front and Back

This fully portable "Salt Lake" model Steiner EVI is self-contained featuring the EVI controller plus a built-in analog synth- complete with various control knobs, an audio amplifier, and even a small speaker in the case for monitoring or practicing! The power supply is built-in so you just plug the AC cord into the wall and you are making music. This EVI has extensive signal inputs and output jacks so it makes for a great controller for older analog gear that has CV and Trigger capabilities. The Portamento switch was moved to the left hand canister on this horn to make room for a "pinky ring". This horn also has a vibrato sensor for the right hand thumb- another innovation that was added on all later models. Check out the pictures: PHOTO1 / PHOTO2 / PHOTO3 / PHOTO4 / PHOTO5.

An interesting Steiner EVI with a custom case. This one is interfaced with a heavily modified JL Cooper Wind Driver box (modified by Nyle Steiner) to provide MIDI OUT to control external MIDI synths.

Crumar Steiner EVI (EVI, analog synth, and case). Made in Italy by Crumar in the very early 1980s. Photo A, Photo B Another set of photos of the Crumar EVI (early 1980's). Some units were interfaced by Nyle Steiner to a JL Cooper MIDI Wind Driver Box (heavily modded by Steiner) to provide MIDI OUT. Top West coast EVI player Judd Miller owned and used several of these modded Crumar EVIs in his movie soundtrack and studio session work.

Around 1984-1985, Nyle Steiner designs and produces by hand a very small number of EVI and EWI "Steinerphones" for top professionals. The EVI Steinerphone, built into a small attache case, is the first model he makes. After several woodwind players ask for one, he designs an EWI model. One of the most famous players to play it is Michael Brecker. He featured the EWI Steinerphone on several recordings both solo and with Steps Ahead and others. Check out the 1986 Steps Ahead "Live In Japan" DVD (ID5736ERDVD) for some amazing Steinerphone playing! Some units were interfaced to a JL Cooper MIDI Wind Driver Box (heavily modded by Steiner) to provide MIDI OUT.

EWI handmade by Nyle Steiner in 1981(?) built inside a business attache case. This "Steinerphone" EWI controller is hardwired to a modified Steiner MicroCon analog synth. Photo A / Photo B / Photo C / Photo D / Photo E.

In 1987, Nyle Steiner's EVI and EWI Steinerphones are developed commercially and marketed by Akai as the Akai EVI1000 and EWI1000 along with their companion EWV2000 analog sound module. This is the beginning of a long relationship Nyle had with Akai. Akai went on to develop several more EWI models (the EVI model was not carried on) including the EWI3000 and its EWI3000m module, EWI3020 and the its two modules the analog EWI3020m and the sample ROM based EWI3030m. Here is a photo of Nyle's EVI as first produced by Akai in 1987- The Akai EVI1000 and EWV2000 The Akai EVI1000 and EWV2000 in case The Akai EWV2000 Analog Sound Module The Akai EVI1000 Brass Style Wind Controller The Akai EWI1000 Woodwind Style Wind Controller

In 1998, Nyle Steiner completed and made available the world's first MIDI EVI! The MIDI EVI is a totally self-contained, trumpet-style MIDI controller which outputs MIDI directly from the controller thus eliminating the need for an additional interface box. This also means it is now possible to enjoy the wonderful world of wireless MIDI! Visit the Patchman Music MIDI EVI Homepage for photos and complete info on the MIDI EVI model from Nyle Steiner.

In 2004 Nyle Steiner designs the RADically innovative new side-by-side MIDI EWI- nicknamed the "RAD EWI"- for Michael Brecker based on the general design of the MIDI EVI. Brecker loves this model and performs extensively with it. Click here for info on the "RAD" model MIDI EWI, photos, and videos of Michael Brecker playing the RAD MIDI EWI.

Later in 2004, Nyle Steiner designs another new MIDI EWI model for Michael Brecker based on the design of the MIDI EVI- this one is an "inline" system whereby the hands are placed on the instrument in the more traditional positions. Click here for info on the MIDI EWI model. This model becomes the protoype design for the Akai EWI4000s.

In 2004 Nyle Steiner travels to the Akai headquarters in Japan to deliver the latest EWI prototype and collaborates with Akai Japan in developing what is to become the Akai EWI4000s Electronic Wind Instrument. Click here for photos and info on Steiner's trip to Japan and his involvement with Akai.

Here are some Nyle Steiner related links...

Joel Peskin recalls a bit of EWI-EVI history

This Wind Controller FAQ page contains lots of info and links relating to the EWI-EVI

Here is the EVI page at Synth Museum. Lots of info and pictures.

Nyle Steiner's EVI is the subject of Ron Cole's doctoral dissertation titled "The Electronic Valve Instrument: Nyle Steiner's Unique Musical Innovation," submitted to the University of Washington in June of 1998. Download the dissertation here (Mac-Stuffed) or here (PC-Zipped) 1.3 megs. (Requires Adobe Acrobat Reader).

The Steiner-Parker Room at the Synth Museum - Lots of pictures and info on older synths designed and built by Nyle Steiner

Here is a list of some Nyle Steiner related articles that have been publish over the years...

Keyboard Magazine. July 2004. Nyle Steiner's EVI is the subject of Mark Vail's "Vintage Gear" column! The column talks a bit about the history of the EVI and even quotes the author of this website (Matt Traum) who helped with some fact checking for the article. Article is on page 100.

Keyboard Magazine. December 2000. Mark Vail's Vintage Gear column features the Steiner-Parker Synthacon and an interview with Nyle Steiner. This page was even mentioned!

Electronic Musician Magazine. October 1996. There was an eight page article named "Orchestrated Escape" by Mark Steensland about the recording of the soundtrack to the movie "Escape From L.A.". The following is the portion that discusses Nyle Steiner's work on the soundtrack using his new prototype EVI... "The EVI maestro, Nyle Steiner. Steiner's breath-controlled Electronic Valve Instrument- which he designed- was the workhorse for the expressive elements of the score. On single melody lines and multipart clusters, the EVI brought a 'human performance' quality to synth sounds that would have taken significant programming time to emulate via sequencing. 'Nyle was playing his brand-new prototype on this project,' beams Walker. 'Akai licensed his previous version, but this was his own hot-rod version of the EVI. It's like the difference between an Indy racer and a car you can buy in a showroom. Steiner had no sequences to rely on for note information, so his parts had to be notated on sheet music. He usually had a double-stave part notating the melodies he played solo as well as the overlapping lines he played when he had to double what the keyboards were doing. Steiner also had to adapt his playing style somewhat, reducing his usual vibrato to match the techno feel that Walker envisioned for the synthesizer cues. 'I assigned Nyle the majority of the melodies, choirs, and strange pitchbending types of colors,' says Walker. 'The Surgeon General of Beverly Hills sequence has an amazing low, demented cow kind of sound that is quintessential Steiner." It includes a photo of Nyle holding the new EVI (shown at right).

Insight Magazine. February 5, 1990. A 2 page article titled "Musicians Plug Into a New Sound (A New Crop of Electronic Instruments)" by Eric Felten. Nyle Steiner mentioned in article. Page 48.

Music Technology Magazine. April 1987. Includes a review of the Frankfurt Musikmesse. Discusses the release of the EVI1000 and EWI1000. Includes picture of Nyle Steiner playing the Steinerphone. Pages 50, 51, and 54.

Music Technology Magazine. December 1987. An interview with Nyle Steiner and Sal Gallina (design consultant for the WX7). 4 pages. Also includes a review of the Akai EVI1000 and EWI1000. 4 pages. Click here to read the interview.

Saxophone Journal. May/June 1997. "A Virtual Big Band Makes History" by Bruce Ronkin. About the Yamaha Virtual Big Band Concert at the 1997 winter NAMM show which Nyle Steiner participated in. 2 pages (p.62-63).

Sound On Sound Magazine. September 1987. "The Search For Expression" by John L. Walters. An article that includes quotes from Nyle Steiner.

Nyle Steiner has performed with his EVI on numerous recordings and soundtracks as well as with top names in the business including Barbra Streisand, Neil Diamond, and many many others.

Nyle Steiner Recordings

• Boston Philharmonic - "Divertimento"
• Neil Diamond - "Headed for the Future" (1986)
• Neil Diamond - "In My Lifetime" (1996)
• Ofra Haza - "Desert Wind" (1989)
• Maurice Jarre - "Maurice Jarre at the Royal Festival Hall" (1997)
• Maurice Jarre - "Emotion & The Strength" (2002)
• Bill LaBounty - "Bill LaBounty" (1982)
• Barbra Streisand - "One Voice" (1987) CD and Video. Barbra introduces Nyle before the last song and he demonstrates the EVI.
• L. Subramaniam - "Indian Express"
• L. Subramaniam w/Stephane Grapelli - "Conversations"
• ...and many others!

Nyle Steiner Movie Soundtrack Credits

• Apocalypse Now (1979)
• Apcolypse Now (Redux) (2001)
• Apcolypse Now (The Complete Dossier) (2006) - Vintage footage of Nyle Steiner in the studio recording this historic soundtrack is included in extra video features!
• Black Stallion - Participated as a composer not as a session musician. Nyle and Shirley Walker improvised live to the film then this was sent to an orchestrator to be replayed by an orchestra.
• The Color Purple (1985)
• Dead Poets Society
• Enemy Mine (1985)
• Escape From L.A. (1996)
• Fatal Attraction (1987)
• Ghost
• Gorillas In The Mist (1988)
• Gorky Park
• Green Card
• Her Alibi
• Jacob's Ladder (1990)
• Maxie
• Mississippi Masala (1992)
• Mosquito Coast (1986)
• Mystic Pizza
• No Way Out
• The Object of Beauty
• Officer And A Gentleman
• Police Academy III
• Prancer
• Pretty In Pink
• Rescuers Down Under
• Shadow Of The Wolf (1993)
• Simple Twist of Fate
• Star Trek III, The Search for Spock
• Switch
• Twins
• Witness
• ...and others!

Nyle Steiner TV Work

• Cagney & Lacy
• Columbo
• Dallas (was the first show he worked on)
• Fantasy Island
• Knott's Landing (solo on main theme)
• Jake & The Fat Man
• Matlock
• Mike Hammer
• Perry Mason
• Quincy
• Remington Steele
• St. Elsewhere
• ...and others!

(Some of the above links are to amazon.com's site which contain RealAudio clips. In some of the clips you can hear some of Nyle's EVI work.) For additional Nyle Steiner recordings, visit All Music Guide and do an Artist search for "Nyle Steiner". You may find additional recordings there.

CLIPS

Listen to these high quality MP3 tracks featuring the genius of Nyle Steiner:

• Dance Of The Comedians.mp3 (2.9 megs) Composer: Bedrick Smetana - Public Domain. The main EVI Trumpet patch is a sample of Nyle's own trumpet.
• Benevolent Paradox.mp3 (1.3 megs) Composer: Nyle Steiner. Keep in mind that this free improvisational piece was recorded in a single pass by a single musician- Nyle Steiner! Regarding this track, Nyle writes... "I have several different methods of making chords. On Benevolent Paradox, I used one of those methods. I had five pedals each with its own preprogrammed chord. Whenever I push a pedal, a given chord will play along with the note I am playing. I simply pushed different pedals as I played. I was also able to push combinations of more than one pedal at a time. I probably used about a dozen different chords. It is hard to remember exactly what I did for the sound. I used a combination of my own sampled trumpet from a Roland S750 and some other brass sounds from additional sound modules. I don't remember for sure what modules were used to make the additional brass sounds. It was probably a Korg M1 or a JV-1080. This feature is part of an additional microprocessor system that I have developed to use with the EVI. I have not produced any of these systems for anyone yet." (5/9/2000)
• Things I Should Have Said.mp3 (4.1 megs) Composer: Nyle Steiner.

Pick up Nyle Steiner's new CD "Flash - A Music Potpourri" at CDbaby.com

Check out the INCREDIBLE PATCHMAN TURBO VL Upgrade Chip for the Yamaha VL70-m